Color Photography

Rosegarden #01 (Suburbia), diptych - 2004 Edition 3/5, 60x80cm each, 60x170cm installed. 2 Analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface...

Facing Trains (Stranger than Paradise) - 1999 55x73cm, Edition 2/5. Aanalog C-Print, printed by the artist, based on the Polaroid. Mounted on Aluminum with matte V-Protection. A...

observation of a Mediterranean beach scene in Nice, France, on a hazy summer day Nizza by Frank Schott 48 x 75.5 inches (122 x 192cm) signed edition of 7 44 x 69 inches (122 x 17...

Oxana's 30th Birthday (29 Palms, CA) - 2007 Edition of 5, 78x76cm, analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archival Paper with a matte surface, based o...

large format photograph of glossy cherry red vintage private airplane on airport runway tarmac Red Jet (2006) by Frank Schott 26 x 40 inches (66 x ...

Black Furs is a limited edition print by Allan Forsyth. The black background heightens the tones of the flowers creating a dramatic scene. Discover new photography by Allan Forsyth ...

The Prince II (The Princess and her Lover) - 2009 - 98x96cm, Edition 1/5. Analog C-Print based, hand-printed by the artist, based on the Polaroid. Mounted on Aluminum with matte ...

Night Swim is a color photograph by Julie Blackmon. The print is a limited edition and is signed and numbered Inspired by 17th-century Dutch and Flemish paintings of domestic life...

Next Sign (2010) by Frank Schott from a series of works capturing conceptual roadside signs in iconic American landscapes captured with a large format camera to allow epic scale p...

"Running Free" - Triptych 32 in. H x 48 in. W (each) Archival Pigment Print Limited Edition of 5 + 2AP Each print hand signed and numbered on back. Nort...

Frida Kahlo is an original artwork realized by the Italian artist and photographer Angelo Cricchi in 2008. Original Digital Photograph. Hand-signed, dated, numbered by the artist ...

Bubble Gun #04 - 2015 [From the series Odd Stories] Edition of 2/3, 108x83cm. Hand signed & numbered by the artist + certificate. Not mounted. Digital ar...

Michael Eastman (American, born 1947) "Candy Counter" Chromogenic color print (C Print) Bears label en verso hand signed, titled, dated, edition 3/5 Depicting a classic Americana candy counter, candyland at an Art Deco theater, Dimensions:. sight h. 36", w. 26.5". Frame h. 46.375", w. 37", d. 2". Published in book 'Vanishing America' by Michael Eastman of abandoned, derelict places in California and elsewhere. Vanishing America includes haunting images of the insides of iconic architectural buildings, such as Main Street cinemas, French Quarter houses, and Memphis hallways. Michael Eastman has established himself as one of the world's leading contemporary photographic artists. The self-taught photographer has spent five decades documenting interiors and facades in cities as diverse as Havana, Paris, Rome, and New Orleans, producing large-scale photographs unified by their visual precision, monumentality, and painterly use of color. Eastman is most recognized for his explorations of architecture forms and the textures of decay, which create mysterious narratives about time and place. Eastman's photographs have appeared in Time, Life, Art in America, Art News, Art Forum, Communication Arts and American Photographer, and they reside in the collections of The Metropolitan Museum of Art, the International Center of Photography, The Art Institute of Chicago, the Los Angeles County Museum of Art, and other prestigious institutions. His books include Havana (2011, Prestel), Vanishing America (2008, Rizzoli) and Horses (2003, Knopf). Select Group Exhibitions Edwynn Houk Winter Show Lillian Bassman, Valérie Belin, Sebastiaan Bremer, Zana Briski, Elinor Carucci, Lynn Davis, Michael Eastman, Elliott Erwitt, David Maisel, Abelardo Morell, Vik Muniz, Matthew Pillsbury, Jessica Wynne...

Magda Goebbels is an original artwork realized by Angelo Cricchi in 2009. Digital print from negative film 6x7. Hand-signed, numbered, and dated on the back by the artist. The phot...

So Still (Sidewinder), 2005 Edition 2/5, 128x130cm, Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original Polaroid. Certificate and signat...

Winter - everything (Wastelands) - 2003 Edition 4/5, 57x56cm. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper based on the Polaroid. Artist inventory Numb...

Tangerine Dream - (29 Palms, CA) - 2007 75x93cm, Edition of 10 plus 2 Artist Proofs, Archival C-Print based on the Polaroid. Signature label and Certificate. Artist Inventory N...

Zabriskie Point (Stranger than Paradise) - 6 pieces - 2003 Edition of 10 plus 2 Artist Proofs. 20x20cm each, together with gaps 45x70cm. 6 archiva...

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms. AD7517 (She Disappeared into Complete Silence) 45" x 60" / 114cm x 152cm edition of 8 + 2AP 30" x 40" / 76cm x 102cm edition of 8 + 2AP limited edition photograph printed under artist supervision + accompanied by signed artist certificate: artist signature labels are 8x10 in size signed, editioned, dated and titled by the artist, and stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Kuhn's monograph titled Bushes and Succulents has been published by Stanley/Barker Editions, with a debut at Jeu de Paume in Paris, in 2019. A stunning career retrospective of Mona Kuhn's works has been published by Thames & Hudson, Spring 2021. Kuhn's forthcoming publication Kings Road, will be published and released by Steid this Fall 2021. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2021 Mona Kuhn: Works, Edwynn Houk Gallery, New York Mona Kuhn: Works, Flowers Gallery, London Mona Kuhn: Works, Galerie XII, Los Angeles + Paris + Shanghai Mona Kuhn: 835 Kings Road, Art, Design and Architecture Museum, Santa Barbara 2020 Still Light, Jardin du Bra'haus, Montée du Château, Clervaux, Luxembourg Mona Kuhn: Early Depictions, Flowers Gallery, London Mona Kuhn: Intimate, UP Gallery, Taipei, Taiwan 2019 Bushes and Succulents, Euqinom Gallery, San Francisco Mona Kuhn: She Disappeared, Jackson Fine Art...

From Christian Stoll's body of works BURST (2015), an abstract exploration of high speed photographs capturing mesmerizing explosions of caleidoscopic color 27 x 40 inches (68 x 102...

The Millennial Falcon (Sidewinder) - 2005 100x98cm, Edition 1/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist Invento...

A limited Edition Print by National Geographic Photographer Keith Ladzinski from his “Crown’s of the Earth” collection. This series focuses on the planets most spectacular mountain r...

Heidler & Heeps Vinyl Collection Twenty-One Piece Multi-Color Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this bea...

Where are you? (2011)
 80 x 96 cm, Edition of 5, plus 2 Artist Proofs. Photography printed in Canson Baryta Prestige 340gr (not mounted) Signed on back with Certificate. About m...

"Wall of Nature" (2019-present) has been the most successful and published photographic work of Viet Ha Tran. The photographs of “Wall of Natureâ€

Lady Daphne Cameron (Mrs George Cameron) on a tiger skin rug in the trophy room at socialite Laddie Sanford's home in Palm Beach, Florida. Estate stamped and hand numbered edition o...

from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism Topiary I by Frank Schott ...

Exxon (Stranger than Paradise) - 1999 58x57cm, Edition of 10 (last Edition), plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based ...

Green Pool (Suburbia) 2004, 60x80cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on the Pol...

This listing is for the unframed photograph. It is # 2/5 in the paper size of 41.40 H x 52" The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography ex...

Ellen Brooks (born February 3, 1946) is an American photographer. She began her career on the West Coast, and is associated with the Los Angeles-based art community of the late 1960s and ‘70s. In 1982 she moved to New York, where her practice has since been based. Her work is known for its boundary-pushing forays into sculpture, and for her use of screens and image altering pro-filmic photographic processes. She has shown at the Museum of Modern Art (MOMA), the Whitney Museum of American Art, the Los Angeles Museum of Contemporary Art, and the Centre Pompidou, and has worked in the permanent collections of the MOMA, the Whitney, the National Museum of American Art, the Getty Museum, and others. Biography Ellen Brooks was born in Los Angeles, California. She received both her Bachelor’s degree and her Master’s degree in Fine Arts from the University of California, Los Angeles, in 1968 and 1971 respectively. Her early works dealt primarily with human figures, notably Beach Piece, an early work in which she employed the photographic medium to address issues of alienation versus bodily presence in space. The work, which featured larger-than-lifesize nude figures in various poses of recline, was installed on Venice Beach, from which the figures appeared to half-emerge from the sand. During her graduate studies she constructed a series of flats [Flats 1–5] which were shown at the Museum of Modern Art in the 1970 exhibition Photography Into Sculpture. The flats addressed similar issues of scale to Beach Piece from the opposite direction, incorporating the viewer’s vantage point from above to obfuscate the objects’ situation in space. Following her MFA she moved to San Francisco, where her use of the photograph continued a progression of investigations of scale and installation. Her next major work, Adolescent Piece, also used nude bodies. The work would subsequently be refabricated and reinstalled in several different forms at different scales over the next four decades, at University of Las Vegas, San Francisco Art Institute, and at the Los Angeles Institute of Contemporary Art. Its most recent iteration, at MOCA in 2011, employed the original process of 1976, using Xerox transfers from photographic contact sheets. This installation “constituted a ‘fourth generation’ of the photographs,” according to the artist. “The first generation was the negative; the second, the eight-by-10-inch contact sheet, the third, the machine copy of the contact sheet onto wax paper, and the fourth, the images glued onto the gallery walls.” The work garnered significant attention during several of its stagings, due to the relative unguardedness of its young, unclothed subjects, all between the ages of ten and fifteen. Tableaux In the late ‘70s and into the 1980s, Brooks worked on an extended series called Tableaux. Like the earlier flats, the Tableaux used the reduced scale of maquettes to stage film still-esque scenes of domestic interiors and dilemmas, often incorporating disarray or ambiguous circumstances within their three walls. Created using miniature...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. CURRENT EXHIBITION - runs through September 11th, 2016. Any framed photographs purchased during the show will be available after September 11th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In the hazy, warm New York summer, little is more refreshing than reclining on the beach in the mist of the icy ocean waves or enjoying a family trip to the country house. Each summer, Rice curates her favorite show, the Summertime Salon, which reminds us of this exact seasonal sentiment. The two, long walls of the gallery become mosaicked, top to bottom, side to side, in photographs that evoke all the preeminent feelings and memories of summer. Each year, the Summertime Salon matures and Rice’s annual masterpiece comes into fruition. This year is no exception. The show is a haven of what the Robin Rice Gallery stands for, a community of art and experience. As the largest annual exhibition, the Summertime Salon is carefully pieced together, the results are staggering. The works of the 53 gallery artists come together communally, reinforcing the overall sense of unity that the show creates as a whole. In knowing the photographs so fluently, Rice strategically places them together in a way that will enhance the individual stories contained in each. Details from one image flow from into the next, elevating every photograph in a distinctly unique way. This year’s invitational image, “Surf Club” by Silvia Lareo-Vasquez, features a woman in a vintage sun hat reclining in the pool with a drink. The black and white image evokes an extreme sense of nostalgia in its cinematic portraiture and supple texture. Though the figure of the woman is tauntingly beautiful, the drink is the darkest tone, nearing black, and is centered in the frame. With this, we are reminded of the refreshing notes of summer and the utter serenity of taking the day off to relax. The show’s imagery is evocative of all eras of summer, thus any viewer can relate or connect to one of the images. As Rice likes to say, “There’s something for everyone.” One image by Benjamin Heller details a strong owl flying...

Horizon (Zuma Beach) - 2004 38x37cm each, 38x121cm installed with 5 cm gaps, Edition of 5, 3 Analog C-Prints, hand printed by the artist, based on the Polaroids. Mounted on Aluminum with matte UV-Protection. Signed on back with Certificate. Artist Inventory # 667. Stefanie Schneider's "Zuma Beach" series captures the essence of summer through a unique blend of photography and Polaroid film. Featuring a range of subjects, from sunbathers to lifeguards to beachgoers, the series explores the iconic beach culture of Southern California. Schneider's use of expired Polaroid film creates a dreamy, nostalgic quality in the images. The saturated colors and soft focus give the photographs a hazy, almost surreal feel that transports the viewer to a bygone era. With "Zuma Beach," Schneider captures the timeless appeal of the beach, reminding us of the carefree days...

large format monochromatic photograph from a series of photographic observances around White Sands, New Mexico,and the calming color palette of nature White Sands by Frank Schott 48 x 72 inches / 122cm x 183cm signed edition of 7 27 x 40 inches / 68cm x 102cm signed edition of 25 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic piers and precursors such as Candida Höfer, Andreas Gursky. Thomas Struth. Jeff Wall, Hiroshi Sugimoto, Steven Shore...

Jane (Heavenly Falls) - 2016 100 x 98 cm, Edition of 10, digital C-Print, based on a Polaroid Artist inventory 19503. Signed on verso and certificate Not mounted. Images 2-5 show...

Tales of Bitter Doom - 9 digital Prints, based on 9 Polaroids mounted on Dibond - gloss coating, 30x30cm each, installed 100x100cm, Edition 1/7, 2008. Hand signed & numbered on the back by artist This piece will be exhibited at the Bombay Beach Biennale in the newly founded Polaroid Museum in it's permanent collection. The Museum opens its doors in March 23rd, 2019. In Bombay Beach she presents a selection of nine scenes from the kinky Tales of Bitter Doom, a photo story about domination and submission, a tale about a wizard, as a Deus ex Machina...

large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West BACK I...

Doug Rickard (American b.1968) Limited Edition Archival Pigment Print. Features the work titled; A New American Picture - Detroit. Signed on verso and numbered 4/5. Work: 26 in. x 41 1/2 in. Frame: 26 1/2 in. x 42 in. Doug Rickard’s A New American Picture offers a startling and fresh perspective on American street photography. All of the images are appropriated from Google Street View; over a period of two years, Rickard took advantage of the technology platform’s comprehensive image archive to virtually drive the unseen and overlooked roads of America, bleak places that are forgotten, economically devastated, and abandoned. With an informed and deliberate eye, Rickard finds and decodes these previously photographed scenes of urban and rural decay. A New American Picture depicts American street scenes, located using the internet platform Google Street View. Over a four-year period, Rickard took advantage of Google’s massive image archive to virtually explore the roads of America looking for forgotten, economically devastated, and largely abandoned places. After locating and composing scenes of urban and rural decay, Rickard re-photographed the images on his computer screen with a tripod- mounted camera, freeing the image from its technological origins and re-presenting them on a new documentary plane. The low-resolution images that Rickard favors have a dissolved, painterly effect, and are occasionally populated with figures who acknowledge the camera, but whose faces are blurred, masking their identity. The photographs are thus imbued with an added surrealism and anonymity, which reinforces the isolation of the subjects and emphasizes the effects of an increasingly stratified American social structure. Rickard’s work evokes a connection to the tradition of American street photography, with knowing references to Walker Evans, Robert Frank and Stephen Shore. He both follows and advances that tradition, with a documentary strategy that acknowledges an increasingly technological world—a world in which a camera mounted on a moving car can generate evidence of the people and places it is leaving behind. Collectively, these images present a photographic portrait of the socially disenfranchised and economically powerless, those living an inversion of the American Dream.Doug Rickard (born 1968) is an American artist and photographer. He uses technologies such as Google Street View and YouTube to find images, which he then photographs on his computer monitor. His photography has been published in books, exhibited in galleries and held in the permanent collection of the San Francisco Museum of Modern Art. Rickard is best known for his book A New American Picture (2010). He is founder and publisher of the website on contemporary photography, American Suburb X, and the website These Americans which publishes some of his collection of found photographs. This work features a black, African American man in the foreground walking in a bleak neighborhood in Detroit, Michigan. Rickard was born in San Jose, California and brought up in Los Gatos in the San Francisco Bay Area. His father was a prominent pastor and many family members were preachers and missionaries, with a "very Reaganesque, patriotic view of America", a country "special and unique". Rickard studied United States history—slavery, civil rights—and sociology, at University of California, San Diego, and "lost his faith in this family vision. His adult view of America was a land not just of great achievement but also of massive injustice." At age 12 he witnessed his father having a secret extramarital affair, that years later in 1988 he confessed to his congregation. Rickard says this experience prompted him "to look for the fault lines in the American dream." He lives in Shingle Springs, near Sacramento, California. For his series A New American Picture, Rickard "wanted to look at the state of the country in these areas where opportunity is non-existent and where everything is broken down", where "the American dream was shattered or impossible to achieve". It is said that this work comments on United States politics, poverty, racial equality and the socioeconomic climate, class; the use of technology in art, privacy, surveillance, and the large quantity of images on the web. He cites as influences the photobooks American Photographs (1938) by Walker Evans, The Americans (1958) by Robert Frank, Uncommon Places (1982) by Stephen Shore and American Night (2003) by Paul Graham. The work was first exhibited as part of Anonymes: Unnamed American in Photography and Film, curated by David Campany and Diane Dufour at Le Bal, Paris, in 2010. To mark that occasion Rickard produced the first edition of the book, with the publisher White Press. Its first American museum show was at New York's Museum of Modern Art. Select Publications: Aperture Remix. New York: Aperture, 2012. A series of books made in homage to another Aperture publication, each in an edition of 5 copies. Rickard's was a response to Uncommon Places by Stephen Shore. The other publications were by Rinko Kawauchi, Vik Muniz, Alec Soth, Taiyo Onorato & Nico Krebs, Martin Parr, Viviane Sassen, Penelope Umbrico and James Welling. Produced in conjunction with the exhibition Aperture Remix. A New American Picture. Nazraeli Press Six by Six, set 4 v. 5. Portland, OR: Nazraeli, 2012. Edition of 100 copies. The other volumes are by Robert and Kerstin Adams, Edward Burtynsky, Kenro Izu, Catherine Opie and Issei Suda. Staking Claim: a California Invitational. San Francisco: Modernbook, 2013. Photographs by Rickard as well as Matthew Brandt, Susan Burnstine, Eric William Carroll, John Chiara, Chris Engman, Robbert Flick, Todd Hido, Siri Kaur, Mona Kuhn, Matt Lipps, David Maisel, Klea McKenna, Mark Ruwedel, Paul Schiek and Christina Seely. Catalogue of an exhibition held at the Museum of Photographic Arts, San Diego, CA. Select Exhibitions: Solo exhibition 2012: Yossi Milo Gallery, New York, October–November 2012. Group Exhibitions 2010: Anonymes: L’Amérique sans nom: Photographie et Cinéma (Anonymous: Unnamed America in Photography and Film), Le Bal, Paris, September–December 2010. A thematic exhibition with works by Rickard as well as Jeff Wall, Walker Evans, Chauncey Hare, Lewis Baltz, Standish Lawder, Sharon Lockhart, Anthony Hernandez...

Saigon - 2003 Edition 1/5, last Edition. 68x60cm including the white 'Polaroid' Frame. Analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper, mounted ...

This aerial photograph was taken by Klaus Leidorf from an airplane (which he also flies). It was not staged or manipulated and can be custom size.

Kickers (Walk like you understand Fashion) - 2015 78x76cm, Edition of 5, plus 2 Artist Proofs. Digital archival pigment Print on beautiful PHOTO RAG ® ULTRA SMOOTH paper 305gsm, 1...

From a series of large scale abstract photographs of muted color monochromatic ocean water surface and cloudscapes SEASCAPE IV by Frank Schott an homage t...

Whirling silently in Space (Heavenly Falls) - 2016 100x125 cm, Edition of 10, Archival C-Print, based on the Polaroid. Mounted on Aluminium with matte UV-Protection. Artist invent...

Diamond Dust - Worldwide Exclusive Special. Unique pieces available at PREISS FINE ARTS. High-end framing and artsafe shipping worldwide included. Manufactured and signed by Guido ...

Artist: Richard Corman Year: 1983 Title: Madonna Beauty Wall Edition Details: Archival pigment print on 100% cotton fine art paper, signed and numbered in the margins by the artis...

Jack's (Sidewinder) 2005 100x98cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist In...

Radha Mind Screen (29 Palms, CA) - 1999 128x125cm, Edition 5/5, Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper Based on the Polaroid, Certificate and Si...

“When I began taking pictures,” Blackmon says, “ I was primarily interested in documenting the lives of my five sisters and myself as we raised families in the Ozarks in the 21st cen...

This listing is for the unframed photograph. The Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a few newcomers...

Aspen Study II by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

A piece of art from the movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...

'You used to call me on my Cell Phone', 2017, Collage of 16 original Polaroids, Unique Piece. Framed and signed on verso. Kirsten Thys van den Audenaerde ...

Giants (Stranger than Paradise) triptych - 2005 Edition of 10 plus 2 Artist Proofs. each 58 x 56 cm, installed with gaps 58x185cm. 3 analog C-Prints, hand-printed by the artist ...

Campbell Kitchen (29 Palms, CA) - 1999 Edition of 10, 58x56cm. Analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper (matte), based on the Polaroid. ...

Hillview Motel (Stranger than Paradise) - triptych, 2003 Edition 7/10, 68x183cm installed, 68x60cm each including white frame. 3 analog C-Prints, hand-printed by the artist, base...

Mindscreen 12 - 1999 126x126cm with white frame, Edition of 5. Analog C-Print, hand-printed by the artist, based on a Polaroid. Signature label and Certificate. artist Inventory N...

Seagulls (Zuma Beach) - 1999 published in 'Instantdreams' (monograph) 60x80cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on a Polaroid, Signature label and Cer...

large format photograph of a sea of green sun umbrellas and yellow-green striped sun chairs, a Mediterranean pre-summer season study of Italian beach clubs in the iconic coastal resort town of Forte dei Marmi, Italy FORTE DEI MARMI by Frank Schott 48 x 72 inches / 122cm x 183cm edition of 7 signed 26.5 x 40 inches / 67cm x 102cm edition of 25 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, Ed Rusha...